Randall Roberts, at the typically-solid Pop & Hiss column at the Los Angeles Times, gives this view of the just-announced Coachella 2013 lineup, with an interesting question framing it: since this is going to sell out, do we give the people what they want or what they need? Which leads to intriguing question about promoters Goldenvoice — do they really have the sense of what Coachella attendees want or need, or are they just making best guesses through the amalgam of influencers and narrowcast websites and strategic album release dates (for the sake of illustration here, I’m just going to say album) that we all make a habit of peeking at fervently?
More questions: How much of a curatorial hand is in this festival lineup? How much more or less is there conscious curation here than in other festivals? And what does that say about our music consumption patterns and our collective vs. fractured senses of audience — exhibited most clearly in what bands we align ourselves with, and under what banners we come together under?
(Pondering this mainly because the article points out that younger fans know Lou Reed solely from the failed collaboration with Metallica, and that’s just too depressing on three different levels to even contemplate.)