Category Archives: Lyrics (and/or Lyrical Analysis)

Oopsie-Daisy Homophobe: Stephen Colbert and Alan Cumming Combine for Awesomeness

Not sure what Stephen Colbert was doing with the bucket-cam in Times Square last night, but one night prior, he scored bigtime in skewering Brad Paisley and LL Cool J’s “Accidental Racist.” He pointed out some of the issues we pointed out in an earlier post, but took it to an amazing new place by bringing Alan Cumming on to do a parody called, “Oopsie-Daisy Homophobe,” employing the reductiveness and sketchy rhyming of the original. He even employed a cowboy hat in the making of said parody. (Which, needless to say, brings its own extra level of hilarity.)


Yes, Nick Cave Is Singing About Hannah Montana and Miley Cyrus

Nick Cave: Genius? Crazy? Both? We’re leaning both, after not only confirming today on chance listen to “Higgs Boson Blues” from his amazing new album, that he does indeed rhyme “Hannah Montana” with “African Savannah” to start off a verse. He also envisions Miley Cyrus at Toluca Lake, and invokes Robert Johnson. Well, we were at least expecting that last one.

Have a crack at the lyrics yourself, on the laughably-named Song Meanings website.

(Says one fan, “in my opinion it’s about someone who checks into a motel who writes down everything he is experiencing on his trip and stay there. i’m pretty sure it’s drug related.” You think?)

Let Everybody Know!: Your Youth’s Battery EP, Breaking Land Speed Records for Joy


As you’re noticing so far, much of Pop Culture Diary tends toward the sneer/snicker end of the spectrum, looking for the unintentional humor or unintended consequences of things. But it’s impossible to find a KDOC New Year’s Eve special every day. Some days, we just like things here — hence, Let Everybody Know! (named for the Chuck D exhortation in Sonic Youth’s unparalleled “Kool Thing,” in which we praise things without trying to get all Pitchforkian/rock-critic-ese about them.

Let it be said: We (royal we) LOVE the new Your Youth EP. Hailing from Brooklyn Land of Hipsters, Your Youth [(FB page) (MySpace page) (Wait, bands still have these?) (Bandcamp page)], they’ve recently released a five-song EP, Battery, that’s a burst of awesome.

Think: joyful, not dissimilar to fellow two-piece-that’s-louder-than-a-two-piece Japandroids, Thermals, Built to Spill, Quasi. Spotify gives you the full five-song package in the order they intended, but there are a few places on the Internet to troll for freebies. We found:

“What Smarts,” the EP’s opener

“Fresh Film,” song #2, which definitely has that “dream of the ’90s is alive in Portland” vibe to it — and I really mean that in the best way possible

“Brain Swimming,” the third song, which brings the inevitable Nirvana comparisons — as they do the repeated hook-line into full-out-rock move very well here.

“Thick Gold (Bodied),” the fourth song, which Spinner featured last month — including this quote about what the song means:

“It’s about that weird feeling of being half out of control of your own destiny, drifting a little more than you’d like, but finding yourself simultaneously unnerved by, and yet okay with, that. Floating, and then snapping back into focus and grabbing at whatever’s in front of you. And then floating again. Basically the way you feel when you actually handle that weird woven fake gold. It’s strange because it’s cold, but it’s got this great texture, so you want to keep holding it. But you also just want to put it down.” — Guitarist AJ Wolosekno

I know EXACTLY what you mean. (That is, to say: Not at all.)

“Lush,” the last song, which is not only a great closing song, but evokes memories of Lush, though I don’t think that was their intention.

So: Your Youth. Totally enjoyable. Who knows how hard they’re trying? Let’s hope hard enough to get a tour together soon.

Jake Owen, Meet America (Via the Orange Bowl Halftime Show)

Jake Owen, flexing at the Orange Bowl. (Photo Credit: Getty Images, by way of Roadrunner.)

By the way: There are 35 bowls in the college football landscape, and January 1 is no longer the most important day of bowl season — the better bowls continue into the next week. The big bowls don’t even consistently fall on the same days anymore, for reasons that will be boring and not germane to this. What is germane to this: This year, we have the Orange Bowl as the final game of New Year’s Day, which means the super-long halftime show (once astutely mocked by the Simpsons, once inadvertently mocked by Ashlee Simpson’s performance) is returned to its rightful place of entertaining families numb from the day-long football marathon.

But, because ESPN is airing the Orange Bowl, it’s no longer quite the horriblawesome convergence of art and sport that it tried to be during its bygone-era airings on NBC, including a magic show gone awry, the Disney Electrical Parade inside a stadium (where it was never meant to be), and the most uncomfortable ZZ Top may have ever been.

Well, at least it’s no longer that for TV viewers. I’m sure that people inside the stadium were exposed to the full onslaught of pointless backing dancers and superfluous laser displayes. But those of us in TV land only saw three minutes of Jake Owen — one of those performances which look potentially parodic, but dishearteningly reveals itself to be real via the sort of earnest delivery that says, “We’re making art here — it might be bad art, but it’s art.”

America got to witness “Barefoot Blue Jean Night,” which, according to this article, confirms that the chorus forwards the sentiment, “Never gonna grow up! Never gonna slow down!” — with verses that detail hanging out and drinking beers by the fire, to which Owen added Orange Bowl-specific lyrics about hanging out about the Orange Bowl.

(Sample, non-Orange Bowl referencing lyrics: “Blue eyes and auburn hair/Sittin’ lookin’ pretty by the fire in a lawn chair/New to town, and new to me/Her ruby red lips was sippin’ on sweet tea.” Lyrical analysis: Jake Owen admires women at parties with the limited vocabulary of many of his fans. Auburn hair is fairly exacting, though, so points for that.)

Though I’d rather see wind-blown magic or crotch-centric performances from the likes of The Boss and The Purple One’s Super Bowl extravaganzas when I’m witnessing halftime entertainment, it’s nice to see that there’s some level of pomp in the Orange Bowl shows — Owen did plenty of good-looking country-singer flexing to augment what the drill team armada in front of the stage was doing. (And a quick note on his band: Banjo player. Always awesome.)